Shelley Widhalm

Posts Tagged ‘Writing’

Keys to Writing Discipline

In The Writing Life, Writing, Writing Discipline, Writing Motivation on November 12, 2017 at 6:00 pm

Writing can be many things: a profession, a hobby, a necessity, a companion to reading.

But whatever form it takes in your life, it requires discipline.

Writing can feel like a friend, or not so much a friend, especially during the infamous, dreaded writer’s block.

So, here are a few tools to survive writing (and keep it fun):

  • Develop a writing routine, but not so strict that you can’t take breaks. (I like to write one to two times a week, or every day when I take on the National Novel Writing Month challenge in November to write 50,000 words in a month.)
  • Keep track of when and how long you write, such as in a spreadsheet, so that you know you’re committed and are making progress.
  • Vary your writing by trying something new, like writing a personal essay or taking on a setting or type of character that you normally wouldn’t choose.
  • Share your writing with friends who also write and will give you compliments, like “Great job!” while also giving you some constructive feedback. They can be your coaches and cheerleaders.

And, lastly, congratulate yourself when you write.

But don’t berate yourself when you experience writer’s block. It’s natural and may mean you have something to work out with a character, plot strand or other element of the story. Or, it may be you need to gather up more experiences to have something to write about.

Get those experiences. Eavesdrop. Observe. Hang out in unfamiliar places to gather up dialog bits, new descriptions and different ways of observing.

Lastly, eat some chocolate. Or drink some caffeine. Pair your writing routine with your favorite treat, so that when you write, you get your treat!

 

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Finding Work-Life Balance with Writing

In Writing, Writing Advice, Writing Inspiration, Writing Motivation on November 5, 2017 at 6:00 pm

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Balancing writing with the rest of life is important to avoid too much time in front of the computer and to gather experiences for even more writing.

I don’t like sitting, and I don’t like being in front of a computer—at least for long periods of time.

But I used to not even think about my tools of writing. They were just there for me to use—and replace every so often when they got old and nonfunctional.

I write for a living, and I write for fun with the goal to make the writing I want to do—writing novels—full time. It’s a lot of writing, as a result, but I try to balance it with daily exercise—running and lifting weights—and doing social things.

Balance, how do you achieve it when you work life and dream life both involve computers?

Finding the Work-Life Balance:

  • First of all, make sure you read.
  • Set aside certain times for writing, but don’t guilt yourself if you don’t write.
  • Vary where you write, such as at home, a park, a restaurant or a coffee shop and find something stimulating in that environment to think about or absorb—such as the grinding of the coffee beans or the way the air feels as time shifts from high noon into the afternoon.
  • Take breaks every few minutes to stretch, or take a mini-walk for a mind refresher.
  • Make sure you have free time to do whatever you want that gives you a break from the routine, particularly if it doesn’t involve writing.
  • Try writing in a notebook if computers are your normal tool, or vice versa. The switch may cause you to see and write differently—handwriting slows you down, while typing causes you to lose the pen-hand connection and get lost in the writer’s world.
  • Find a new interest or hobby, or even forge a new friendship, to learn something new or see things from a new perspective.
  • Congratulate yourself when you write when you don’t feel like it.

One Final Note:

Lastly, realize it’s the writer’s life, that constant need for discipline, motivation and encouragement. Make sure to get out to the 3D, real world to gather those experiences that are much needed for the writing life.

 

Why Exactly is Editing Important?

In Editing, Editing Advice, Editing as Part of Writing, Writing, Writing Advice on October 29, 2017 at 5:00 pm

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Once the writing is done, it’s time to take out the red pen!

Editing is part of the writing process, or most definitely should be, even for emails.

Too many errors, and expert status is lowered, and writers look careless, as if they do not know what they’re doing. It gives the message that it’s OK, because everyone else is doing it, so why not join in? There isn’t enough time, or it’s not necessary. It’s just a rough draft, but it needs to be sent off anyway.

If it’s fiction, it won’t get a read if there are too many glaring errors, despite the content. Or if it’s self-published, the writing looks amateurish, making it hard to trust the story and stay on the page—errors cause the eye to stop and notice them instead of the plot, characters and setting.

Editing and a review process are important for all writers, no matter the skill level, because no one can write anything great and perfect the first time. In the least, there could be a typo or a missed word.

Before editing, set aside the writing (unless it’s an email or communication that needs to be immediately sent off) for a day or hire a third party to review the work.

Here are a few reasons why editing is important:

  • To ensure what you wrote matches what you intended to say and that your message gets across.
  • To ensure what you wrote is what you meant to write, instead of what is actually there, such as saying “their,” instead of “there.” It’s harder to see your own mistakes.
  • To tighten up what you wrote, so that there are not repetitions of material or awkward transitions between ideas or paragraphs.
  • To add missing information or to correct factual errors.
  • To make sure the flow of thoughts and ideas is logical and that there is a good structure to how the material is presented.
  • To make sure everything is understandable with the right amount of detail, but not too much detail that attention is lost.

Hiring an editor to do that editing:

Writers can start off by doing a round of their own editing to fix anything they find before hiring an editor. Manuscripts with lots of errors or sloppy writing take longer to edit and, if the editor charges by the hour, cost more.

Or, hire the editor right away, but realize that editing is best done in at least two rounds, one for general editing and a second for proofreading to catch additional errors in spelling, grammar, punctuation and mechanics.

Longer manuscripts generally go through multiple stages of editing, including structural or developmental editing that looks at the entire manuscript, line editing at each individual line of text and then final proofreading to check for any missed errors.

Editing from an outside perspective can be more objective—writers get stuck in their own writing and love it because it’s their work.

The readers, too, will appreciate the editing, showing them that what they’re reading is worth their time and energy. An error won’t make them start asking questions about the meaning, the content or the writer.

 

Editing 101: The Multiple Forms of Editing

In Editing, Editing Advice, Editing as Part of Writing, Writing, Writing Advice on October 22, 2017 at 5:00 pm

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Editing is not a simple, one-step process, especially if the goal is to achieve clean, compelling writing that keeps readers wanting to read to the end.

Editing involves multiple layers from revising the overall structure of the manuscript to slow reading and evaluating at the individual line level. Editing has multiple names for those layers from the big picture of the rough draft to the small picture of proofreading of the nearly clean copy.

The Positive of Editing

When it comes to my own work, I wish I could read it once and think, “Oh, that’s nice,” and go on to more writing. But I know, too, that what I write is a rough draft and not close to the final product.

I find slight comfort in the fact that editing can be similar to writing as sentences, paragraphs and new ideas are added or removed to get to the core of the topic or story, so that there isn’t anything extra or boring or any mistakes detracting from the message.

Editing fiction can add a layer of entertainment with new scenes, sections of dialog or character qualities. For nonfiction, layering in details or inserting additional quotes can bring in more complexity, as long as the addition is tied smoothly to what comes before and after.

Levels of Editing

Here are a few different types of editing from the big picture down to the small detail, along with the tasks of each type:

  • Structural or Substantive Editing: Reorganize the manuscript for content or structure; make sure there are transitions between ideas; and clarify any areas of confusion or lack of data or a missing scene.
  • Stylistic Editing: Clarify meaning; eliminate jargon or awkward word usages; make sure the writer’s voice is consistent throughout; and make sure the entire text and the language within reads cleanly and smoothly.
  • Copy Editing: Edit for grammar, spelling, punctuation and other mechanics of style; make sure details and descriptions are consistent; and make sure the use of language and mechanics are consistent.
  • Fact Checking: Check for accuracy of facts by checking various original sources.
  • Proofreading: Read proofs of edited manuscript or give edited copy a final read-through for errors not caught in previous editing rounds.

Error-Free

The aim of the multiple layers of editing is to achieve clean copy that reads smoothly without too many extraneous details or detracting thoughts, ideas or information. By editing in layers, the idea is to catch all or most errors. This is difficult to do if you’re trying to understand the overall content at a quicker reading pace, while also reading slowly at the line level. The two levels of reading need to be separated into different steps.

Reading in layers allows for different attention levels to the text, so that all of the pieces come together in something that is interesting, readable and compelling from the first line to the end.

Fast Ways to Edit Fiction (or somewhat)

In Editing, Editing Advice, Editing as Part of Writing, Writing Advice on October 15, 2017 at 4:54 pm

To be fast and efficient in editing a short story or novel, it’s helpful to have a checklist and a plan.

The checklist helps avoid overlapping tasks, while also moving through them with speed and careful thought. The seemingly contradictory notions fit together when taking the short and long views.

Editing involves hours of work, but the work can expand if the edits aren’t broken up into parts and instead are carried out start to finish over and over again (the long view). Editing is better off in layers, focused on one step at a time (the short view).

First Editing Round

As a first step, read the entire manuscript through, looking for inconsistencies, areas where the story doesn’t flow or diverges unnecessarily and areas where boredom is the result.

When I edit my own work, if I question needing something, I cut and dump—and put the goners into my Cuts File (because I have trouble letting go). I read for overall plot to make sure things make sense and check for any inconsistencies in character, setting or action development.

Additional Editing

Here are things to look for in each editing pass, or grouped together if it makes sense:

  • Ask if the opening scene grabs the reader.
  • Cut any unnecessary scenes and strengthen weak ones. Make sure the scenes have a clear objective for the character and further the conflict, or opposition, to the objective to keep the action moving.
  • Look for any elements that are incomplete or not carried through, such as a dropped idea, a scene that ends too soon or a character that disappears without explanation.
  • Make sure the plot threads come together. Does the story have a beginning, middle and end? Are conflict and tension sustained throughout the telling? Does the story build with tension at the end of each chapter?
  • Make sure the characters are realistic with good and bad features and that they are distinguishable from one another. Are they fully fleshed out with personalities, backgrounds and unique physical characteristics? Does the reader care about these characters?
  • Ask if the dialogue is realistic and if the characters speak in ways that are distinguishable from one another. Look for consistency, accuracy and any repetitions in their identities, backgrounds and behaviors.
  • Remove any unnecessary back story, especially in the first 50 pages where action is needed to hook the reader, and make sure character histories are not provided too early in the story.
  • Make sure the pacing is compelling and right for the telling of the story.

A Final Thought

Remember, each time you edit, you get closer to the core of the story and the essential components, like a taut rubber band. The story becomes tighter, keeping the reader tense, on edge and ready to keep moving through the story.

Writing and Time Management (to get to that important writing space)

In Writing, Writing Advice, Writing Discipline, Writing Goals on September 10, 2017 at 5:00 pm

(Photo by Steve Stoner/Loveland Reporter-Herald)

Shelley Widhalm in her reporting days chases after a story during a county fair parade, while trying to multitask with her camera.

Considering that I consider myself a writer, I have let time dis-management get in the way of what I love.

Yes, I made up a word for my inefficiency at time management. I’m used to a 9-to-5’er, but starting a business and taking on a part-time bridge job (that’s fun because I get to wear a baseball cap, run around and be busy) has shown me that I’m not as skilled at using my time as I thought. In other words, too often I’ve exhausted myself and gotten overwhelmed, resulting in dreaded wasted time.

When time isn’t well managed, efficiency can be affected as well as how quickly work can be produced and the quality of that work. To feel more at ease and in control, I found a few ways to better manage my work day to free up space and time for my personal writing and to make the most of the writing and editing work I do for my business.

First, I learned I shouldn’t think of all of the tasks I have to do for the next day or week all at once. I tended to blow them up in my mind, thinking something that will take 10 minutes would take a half-hour or longer. I exaggerated, and then I worried, falsely believing that I’d never get it all done.

So, what I now do is break up what I have to do into small chunks, doing the most important things first, using lists to prioritize and get rid of any unnecessary things. With a boss, my tasks list was defined for me, but out on my own in the big world, I had to figure it out, get organized and develop systems. I had to get intimate with the time clock.

Time Management Tricks

Here are a few other things I’ve learned about time management:

  • Focus on one task at a time. Though multitasking sounds trendy and is touted as professional, the brain actually switches from like task to like task but can’t do both at the exact same time. The brain, however, can handle two dissimilar tasks at once, like listening to an audio book while driving. (Check out the “Mindfulness Pocketbook, Little Exercises for a Calmer Life,” by Gill Hasson).
  • Don’t squeeze too many tasks into the day, causing the time devoted to each one to become frayed or frantic.
  • Don’t procrastinate tasks, because with procrastination comes the guilt of needing to do the one thing but not doing it now, resulting in wasted thought time. Plus, the task can be broken into smaller chunks if there is a longer deadline.
  • Devote your entire attention to the task, ignoring email or other distractions.
  • Switch tasks when you get tired or thoughts seem to slow down and come back to it later with a fresh perspective, unless, of course, the deadline is immediate.
  • Mark down how long it takes to do each task—three months into my business, I started tracking how long I spent on everything, devoting a surprising half-hour ad day on email (I’d thought it was less). This helped me identify how long it took for each different task, especially to speed up the process.
  • Set a time limit for each task, but allow for some overage.
  • Don’t get caught up in too many details of the task, spending too much time on any one aspect. Be thorough and accurate, but don’t dwell or aim for 100 percent, absolute perfection.
  • Identify your most productive times of the day and set aside easier tasks or chores that are routine and do not require much thought. Be sure to do something on the weekends, even for an hour or two, to make for less work later.
  • Use waiting times, such as in an office or in line, as a time to do portable tasks, such as jotting down ideas or answering emails.

Fit in the Breaks

And lastly, take breaks, including between and during tasks. A short walk once an hour is ideal to stretch muscles and invigorate the mind and body to get ready for more work.

Some, or all, of these time management ideas can be used for writing. Be sure to set aside time every day or week for writing, so that it isn’t forgotten because of all of the tasks that have to be done. Have a place to write. Squeeze it in when waiting in those lines. Keep a notebook with you. And take pride when you do write, another task accomplished.

 

Writing and Mindset (or being purposeful in “now” writing)

In Loving Writing, Mindset, Reflections on Writing, Writing, Writing and Mindset on August 27, 2017 at 11:00 am

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To get into writing, try mindset and thinking about the “now” of the moment.

Mindset, or giving purpose to your direction, is a term I hear in the business world, but it’s just as applicable to writing—so are other business terms like lean startup, actuation and effectual thinking.

Mindset, as defined in decision theory and general systems theory, is a set of assumptions, methods or notations held by an individual or group of people. It’s also indicative of worldview and a philosophy of life.

Mindset: In the “Now”

A writing friend of mine simplified the concept, explaining it as being present in the moment and appreciating the “now.” Being present to writing takes letting go of past “failures,” erasing the idea of being stuck, which is going back to the past, and immersing immediately and in the now of writing.

Stanford University psychologist Carol S. Dweck, Ph.D., defined growth versus fixed mindsets in “Mindset: The New Psychology of Success,” published in 2006. A fixed mindset sees abilities as fixed, while a growth mindset allows for abilities to be developed and growth to occur.

Seeing your abilities as changeable is motivating, while seeing them as talent that cannot be adjusted is self-limiting. The idea that writing is something that can be learned and improved upon gives that motivation to try—it’s a way to bypass excuses and writer’s block, because even if it’s painful to write, doing it moves it forward. It’s growth no matter how and when you write.

Effectual vs. Causal Thinking

In business theory, a similar growth mindset occurs with effectual thinking, as opposed to more traditional causal thinking.

Cindy Skalicky, owner of On Point Communications, LLC, gave a presentation July 25 at the Loveland Business Development Center, “Mastering the Model: A Closer Look at Effectuation, Lean Startup & Business Model Canvas.”

“With small businesses, there is so much uncertainty from the beginning that causal thinking won’t result in the best outcome,” Skalicky said. “Causal thinking is effective if you already know about your business model, customers, products and what works and doesn’t. Effectual thinking is the opposite. With that, you need to take inventory of the self, what you’re good at and what you’re trained to do.”

With effectual writing, you begin with where you’re at in a project or within your abilities. Alternatively, with causal writing, you have a plan or outline for the writing without allowing for character interruptions and plot diversions; you stick strictly to the plan.

To write effectually, you may plan but you also adjust.

Skalicky compared aspects of causal and effectual thinking, which have one similarity and differ in everything else. They both involve predictions made at the beginning. But with causal thinking, there’s a specific goal in mind, an execution plan is implemented and data is gathered from the existing market and competition. Effectual thinking is having a basic idea or leaning, an idea of a plan and looking to the self and customers for the data.

“Effectuation is about me in relation to my idea,” Skalicky said.

Effectuation in Writing

In the writing world, effectuation is you as writer in relation to your story. You look to the story for the plotlines, letting the scenes unfold as you write, while having a rough plan in the back of your mind. This is a mix of writing by outline or being a plotter, combined with pantsing writing, or writing by the seat of your pants and writing as you go.

Another business term, actuate, refers to putting things into action or setting them in motion. To actuate your writing, you set things in motion by creating character identities and placing them in situations where they begin to act and speak according to who they are but also within the circumstances of the novel’s plot. They act and react as the story unfolds, but you haven’t planned out every little nuance of their activities and behaviors.

Actuate also works in relation to you as the writer. You can think about what actions you take in the now that will carry forward your writing goals. If you skip writing for a long period of time, motion will be halted and your writing will be less purposeful. You’ll be out of the mindset of the now of writing.

Lean Writing

A lean startup business model allows you to iterate and change your product for the better through feedback, learning from mistakes and failures and continuous small improvements, Skalicky said.

The same thing happens with writing—if you let it. You write and as you get into the writing, the characters and plot strands create their own feedback loop, and you, as the writer, can take note of what to change in the plot as you go along, or at the end when the revision process occurs. The writing won’t be perfect the first time, so you build and measure and learn, and pivot and persevere as needed. The writing then becomes in the now as it moves forward and backward in that loop until the strands are tight, and what you have is a MVP, not a Minimal Viable Product but maximum and viable.

It’s purposeful writing allowing for a mindset that accepts both the now and the possibility for change. You’re getting your MVP to market fast, or you’re writing quickly to get it out and then you go back to improve and improve some more.

What is it Like to be a Writer? (or random musings on the writing life)

In The Writing Life, Writing, Writing Advice, Writing Discipline, Writing Inspiration on August 20, 2017 at 11:00 am

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I like writing both on paper and on the laptop or whatever is available when I feel inspired.

I sometimes get asked how I write as if it is a mysterious thing—it is and isn’t depending on if I’m forcing it or feeling inspired.

I’m also asked, “Can you write for me or tell me how?” I hear about ideas or plot summaries of long writing projects but also about the desire to not do the actual writing. “Could you take the project on?” I get asked.

Maybe, as a ghostwriter.

But then the research, writing and editing comes from someone else. It’s me writing as Other. The writing is not so mysterious, because it’s work, like writing a news article or a blog.

Writing as Mystery

It’s not that magical immersion into the process of writing where I lose the world and feel like I’m watching a movie, not feeling the keyboard under my fingers. For me, it’s writing as the Self and not the Other, but also a letting go of the self in the process.

To do this Self and Self-less Writing, I engage in multiple approaches to get toward poetry, short stories and novels. I look for inspiration, such as in books, poems, music, the natural and manmade worlds, and human nature, as I blogged about earlier this month in “Finding Writing Fascination (and Inspiration!).”

I rely on discipline, tracking when and how long I write and tallying my hours each week and month. I make myself write at least one to two times a week, though more often is more preferable for a regular routine. And I set up write-ins where I meet with other writers and chat and write, because that’s why we’re there providing even more discipline.

I calculate the number of words I write per hour, especially when I do speed writing, a form of freewriting where the aim is to write fast without worrying about grammar and content but keeping the focus on staying with and in the writing.

Getting Immersed in Writing

The Self and Self-less writing is an ultra-focused immersion in the process, keeping your hands on the laptop without thinking too hard or letting the editor take over. This kind of writing results in surprises as the characters seem to do their own thing and the plot unravels as if combining your unconscious mind with what needs to happen next. Connections occur from where you started to where you are at now in the storyline as the tension builds toward the final, satisfying ending.

For me, I get absorbed in the writing and love doing it, but then I hear a noise or I think a thought outside of my story, and I have to come back to the real world. In other words, I enter writing, and it’s fun; I come back to the real world, and it’s a struggle.

Upon my return, I blink a couple of times and look at the last few sentences I had written. It’s often difficult to go back into the story, as if I have to dive in. But if I do, I return to that mysterious, magical world of something beyond the writer where the creation happens.

Writing Nonfiction

When I write nonfiction, I don’t leave as such and get lost in another world, but I do get focused. I’ve done my research and have a rough outline in my head, or, in the case of an article, know how to structure it, so it’s writing out of routine. I weave together the pieces, making it tight with the overall structure and give it flow with the right transitions. I let one sentence lead to the next toward the final The End.

The magic, then, with fiction and nonfiction is to let go and let it happen with you as an ever present Self but also being and remaining Self-less, not letting the You get in the way of the Words that want to get created.

Finding Writing Fascination (and Inspiration!)

In Writing, Writing Advice, Writing Inspiration, Writing Motivation, Writing Tips on August 6, 2017 at 11:00 am

GeeseSummer4 2016

The mother duck takes her eight ducklings through the waters of the lagoon in Loveland, Colorado.

I don’t know why, but I’m absolutely fascinated with the ducks at the lagoon in downtown Loveland, Colorado.

This fascination reminds me of my fascination with writing. I have to visit the ducks—twice a day if I can, once on my way to the gym nearby and a second time when I’m taking my dog on a walk—just as I have to journal, write poems and stories, and do the more serious writing of blogs and articles.

I like watching the ducks speed race across the water to grab bugs out of the air, just as writing takes grabbing the moment and getting yourself going in that creation. Writing begins with inspiration (or with discipline and routine), giving you the needed motivation to start the process.

Inspiration can give you an idea you are compelled to put into words and shape into a poem, story or other form of writing. It can offer up a feeling or a desire to express something from within. It is that mental stimulation you need to feel or do something creative.

To get started, inspiration can come from books, poems, music, the natural and manmade worlds, and human nature. I purposely look for inspiration if I’m stuck in a writing project, or I let the writing happen as I rush to get to pen and paper or my bright blue laptop.

Here are Ways to Find Inspiration:

  • Read a beautiful description in a book or a poem, thinking about how the language is used to capture a moment or a story. What are the details of the description, and what does it make you think about? What words did the writer choose, and what words would you choose? Take the description and turn it into a basis for a story, a scene or a detailing of character.
  • Listen to a song to feel the mood it evokes and notice the words, beats and melodies it expresses. What does the music make you think about? What images or pictures come to mind? Try to translate the rhythm of the music into your own writing, turning the sounds into a mix of your words and the words of the song.
  • Visit nature, such as sitting next to a flower bed or by a body of water, and describe what you see, the weather and the look of the sky. Try a mini-writing field trip in the mountains, an arboretum or public garden, or the city streetscape where there are benches, potted plants, trees and sidewalk gardens. Let the unfamiliar experience give you new words or ways of getting at description. Is there something you hadn’t noticed before in this new place? Is there a detail you could delve into further to flesh out what you want to say?
  • Hang out where people like to congregate and do some eavesdropping. Try coffee shops, restaurants, malls, lounges, airport terminals and beaches and pick up snippets of conversation. Does something you hear give you an idea for a story or a description? Is there a phrase or a way of speaking that strikes you that you can capture in a character’s voice or use to evoke mood in a poem or story?

Be Sure to Use All of the Senses:

While you stage your inspiration, amplify your awareness of what’s around you, using all of the senses—sight, hearing, taste, touch and smell—to make your observations. Describe things as you experience them or as they are happening. Or make a list of descriptive words you can pick up from your environment, and then play around with the individual words to see what kinds of sentences and paragraphs can result.

Instead of agonizing over each word and waiting for the perfect moment, release your mind and let the writing be a sort of discovery process. You discover what you want to say as you write.

That’s why I like visiting the lagoon and discovering the changes in the ducks. I watch them as puffball ducklings eat all day long to become teen ducks and then adult ducks, and I love watching them snap, grab, squeak and squawk. They snap up their necks to grab bugs. They snap at babies that enter their territories, even if they have teens and the ducklings are tiny. And they snap at their own to keep them in line.

This snappiness is protective and a matter of survival, but it also is a way to grab what you want and need. It’s part of a writer’s own survival kit.

 

The Ins and Outs and Benefits of Journaling

In Freewriting, Journaling, Writing, Writing Advice on July 16, 2017 at 5:00 pm

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Journals can be used for multiple purposes beyond recording daily life.

Journaling is like pre-writing, or it can be a form of record-keeping.

It can be private or public, as in the case of blogs, which technically are considered digital diaries.

And it can be practice toward fine-tuned quality writing.

A Dozen Journals

I have a dozen journals, each with its purpose and different sized cover and pattern. I’ve journaled since second grade, a process that’s essential to my day and to my growth as a writer. I record what happens, the things I do and my interactions with others.

I find comfort in the result: my days are tracked, and I have a reference to recall events, conversations and even when I last gave the dog a bath. I can look back and see what I’ve learned, laugh over the drama that, now, isn’t a big deal, and, hopefully, figure out where to fix things.

I have another journal that’s my play journal. The half-dozen colored sections are designated for freewriting, book starts, book and story ideas and notes about the writing process.

Another of my journals is solely for freewriting because it already has prompts I can use when I’m blocked.

I also have a journal for the books I’ve read and one for notes on the books I borrow.

And I use one for sketching out poems I later type up.

Journaling is a form of writing that isn’t as official as sitting in front of the blank page. It’s like an artist’s sketchpad used to practice drawing skills; it’s a place to play around with language, descriptions and ideas.

The key to journaling is to write without expecting anything. Don’t worry about quality, grammar or style. Just worry about wanting to write, and by doing it regularly, the writing will be easier and the ideas will start showing up.

A Journal’s Uses

You can use journal for many things, such as:

  • Writing exercises you want to try.
  • Taking notes from what you’re reading or the things you want to look up later, such as words, phrases and ideas.
  • Capturing snippets of conversation and recording details you observe in your environment.
  • Drafting short stories and novels.
  • Playing around with language for a poem or beautiful description in a story.
  • Listing ideas for poems, short stories, novels, essays and blogs.
  • Compiling character sketches with magazine cutouts, found objects and written descriptions.
  • Pasting photos or describing settings and the buildings and places in your story or poem.

I forgot to mention that I even have a mini-journal, it’s a miniature composition book, to take notes on anything and everything I encounter in a day, and then those notes go into the proper big journal.

I’ve journaled since second grade and probably have written a million words, most of them pretty boring about the routine, mundane aspects of life. But there’s gossip and intrigue, plus the whole figuring-out-life thing. And collecting those cool ideas for later …