Shelley Widhalm

Posts Tagged ‘Writing Advice’

Coffee and Writing and How They Relate

In Espresso, National Coffee Day, National Espresso Day, Writing, Writing Advice, Writing Tips on November 11, 2018 at 5:00 pm

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Shelley Widhalm of Shell’s Ink Services compares coffee to writing in honor of National Espresso Day on Nov. 23.

I’m addicted to fancy coffee because there are so many aspects to the experience.

A bit of sweet with the bitter of espresso, the heady smell of freshly ground espresso beans and the smooth texture give coffee that appeal of wanting more.

The well-known National Coffee Day was Sept. 29, but National Espresso Day is Nov. 23, created by PartyExcuses.com, “365 days—thousands of excuses.”

My excuse, I have to admit, is to tie coffee to writing.

Espresso is an Italian-style dark, rich brew pressed out for a smooth finish. It’s the base ingredient in café lattes (my favorite is an iced caramel latte, summer or winter), cappuccinos and macchiatos.

Espresso and Writing

To celebrate Espresso Day, have a shot of espresso to mark its invention around the 1900s and pick up your pen, no excuses, to start describing the world around you, helped by the extra alertness from the caffeine.

It’s a matter of wanting more, such as two or three shots of espresso in the small latte. That’s like adding description to plain writing to make the process fun with the key ingredients of observing, absorbing and noticing details. Use the senses to observe and then choose words carefully to absorb, making sure every word has a purpose to move the writing along.

Achieving great writing is similar to using fresh beans in espresso—if they’re old, the taste is bitter. Descriptions that are trite, cliché-ridden and lacking detail can suffice but won’t give the reader that buzz that heightens the experience of drinking and reading.

To get more technical (but still keeping it fun), verbs are a key component of description, much less so than adjectives, which qualify a noun or noun phrase to provide more information about the object being described. For example, “the caramel sauce drizzled in a wavy path down the whipped cream” is more descriptive than “whip with caramel.”

Adjectives, when used, should be kept simple and not layered, such as the “extra skinny, extra hot, light foam, light whip latte with extra caramel.” Just say you’re picky.

What to Avoid in Description

There are a few other things to avoid in descriptions, such as:

  • Using adverbs, which weaken writing when they are not specific. Adverbs modify verbs, adjectives or other adverbs. For example, saying that your character slowly walked across the room (here “slowly” modifies walked) does not give the reader as good of a mental picture as: “She shuffled to her bed, falling into it after working 12 hours without caffeine.”
  • Writing in the passive voice, using “he was,” “they were” and the like. The passive voice slows down the action, while distancing the reader from what’s being said.
  • Using general words, instead of concrete details and specific nouns and verbs. Coffee and coffee cup are general nouns, as opposed to a pumpkin spice latte and an orange mug with leaves on it.

Description is what fills the pages of a story or gives a poem form. Without it, the action falls flat, simplified into an outline of this happened, and then this and this. Or the poetic devices would be readily apparent without that wonder of captured memory and observation.

That’s why I like my coffee fancy.

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Saying Goodbye to a Car (with a little bit about writing)

In Car Repairs, Cars, New Cars, Writing, Writing and Cars on October 21, 2018 at 5:00 pm

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Shelley Widhalm of Shell’s Ink Services had to get new wheels in early October after she said goodbye to her 16-year-old car that took her all over the country and got her nearly 170,000 miles.

For months, I knew we’d be parting ways, my car of 16 years that took me nearly 170,000 miles in Washington, D.C., Virginia, Maryland, Nebraska and my home state of Colorado. I knew that after replacing the clutch, fixing the brakes, getting yet another set of tires and having 2,000 misfires in the engine, plus a window that wouldn’t go up or down and a front end duck taped together, all within two years, this day would come.

The Repairs

My heart pounded as I heard the verdict on the cost of repairs. I couldn’t keep fixing what’s broken and return my car to clean newness. I called a towing company to have it taken from the car shop to my apartment. I’d driven it the day before, and it went thumpity-thump down the road, the “Check Engine” light flashing as it went slower and slower until it was a matter of … where do I stop? I parked, went to a meeting and a co-freelancer helped me drive the car to the shop.

At 2:15 p.m. on Sept. 28, my car arrived on the bed of a tow truck, which lowered it into its parking space. I looked at the white truck and my car, back and forth, thinking, do not cry. I got my key and sat inside my car, and I cried. I didn’t think I would, because I’d been saying “I hate you” for breaking down.

Memories flashed through of our times together, my cranberry red Saturn, my first brand new car when I thought I was fancy and on the top of my game. I had a job as a features writer at The Washington Times. I was going to work at The Washington Post or The New York Times. I was going to be a published author. I would have an expansive wardrobe and fill my passport to overflowing.

The Adventures

My car and I went to the beach and to the mountains. We went on wine tours. We went shopping. We got separated in big parking lots. We listened to audio books and the radio. She, my Cranberry Red, listened to me talk on the phone before that became a no-no, and she heard me go through the gamut of emotions. She was there out my apartment window wherever I lived, my constant.

I sat in her passenger seat, thinking, I won’t be driving you anymore. This is it. This is goodbye. My heart beat a little faster. I couldn’t catch my breath. I wanted to have my car to go places. To be. Not this. Not this soon.

I got laid off in 2008 from The Washington Times, and my car and I moved back to Colorado. I got laid off in 2016, and we thought it wasn’t fair, two layoffs in less than a decade, but it was the recession and then post-recession. Cranberry Red started to age, and she needed lots of assistance to keep going. I gave her what she wanted, peeling out hundreds and hundreds of dollars for her care.

The Goodbye

I felt like she’d become part of me, my car. And then I thought about all of the things I’m going to be. I’m not giving up.

I am going to be a traditionally published author, no matter the effort that it takes, because I will have the heart and the new wheels and the love of family and friends to let me know that I can go forward. I will keep writing and loving writing. Because over the last month, I had wanted to quit my business and my writing and then my car quit, and I figured, no, not both of us.

One of us has to carry on the torch of the Cranberry.

Transitions in Seasons (and How it Relates to Writing)

In Transitions, Writing, Writing Advice, Writing Tips on October 14, 2018 at 5:00 pm

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The table centerpiece is a perfect way to transition into fall with fresh-picked apples mixed with the colors of autumn.

The change from summer to fall or fall to winter is more gradual than the calendar indicates.

In Colorado, there’s often an afterthought of heat in late fall or an early snow before summer ends. The change occurs like sliding down a hill with some going back up until the season feels like, yep, it’s fall, or yes, time for the winter jackets.

An abrupt change in season can be compared to writing without transition—it’s hot and then it’s cold without anything in between.

Transitions in Story

Transitions are essential to keep the direction of the storyline clear, instead of skipping without explanation from one time or place to another, confusing readers as they try to figure out where exactly they are in the story. For instance, they might think they are in a coffee shop and suddenly they are in some memory about traveling to another country.

Transitions serve as a bridge that signals a shift in the story, such as a change in time, place, mood, tone or point of view. They mark a scene break, ideally at the moment of heightened suspense, causing the reader to want to know what happens next.

The point-of-view character’s physical environment, or what’s happening around her, can transition into her internal thoughts, memories or reflections. The character may see an object or hear something that triggers recollections of some event from her past. The recalling of past events in the present through flashback interrupts the flow of narrative. The tense can be changed—such as present to past or past to past perfect—to indicate her entry into or exiting out of the memory or flashback. Sensory impressions can be used to take the character out of the memory and return the character to the present moment. Or dialogue can cause the character to come back to the present, though she might ask, “What? What are you talking about?”

Transitions as Roadmap

Transitions serve as that roadmap, or weather guide, keeping the reader within the story world, so that moving between time and place seems natural without suddenly needing to change clothes or pull out the umbrella, wondering what to do next.

I prefer my summer to spill into fall, winter to be short and spring to arrive quickly. But I appreciate all four seasons because sameness would not give that excitement of change, or transition!

Writing with a Bang (even during holidays/vacations)

In Vacations, Writing Advice, Writing Discipline, Writing Tips on July 1, 2018 at 5:00 pm

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This is called bun chasing. Check out the shorebird at Busch Gardens in Tampa Bay, Fla., with the bun on the run.

Getting back to writing or blogging can be a bit difficult if it’s sunny out and you’ve just been on vacation—add in that Independence Day is quickly approaching, giving you another reason to let your brain keep on being on holiday.

Yep, I’ve got the holiday/vacation motivation and discipline problem.

First off, I returned to a pile of work, a tad tired from riding the rollercoasters at SeaWorld and Busch Gardens during my early June visit to Clearwater, Fla. I had so much fun, six days into my trip, when I went to Howard Beach and collected a few seashells, I came home to a big long afternoon nap.

Writing Reality

Two days later, I had to re-shift to reality, though I had a load of memories to use for my writing. I have a couple of favorites, including seeing a shorebird grab a hamburger bun at Busch Gardens and run about, but not able to take a bite for all the other birds ensuing in a hungry chase. I also loved riding the Manta at SeaWorld and feeling like I was flying, twirling in loops and going upside down. (I must have a thing for birds.)

As I got back to my work routine, I thought about how I lost track of what I love—writing though it oftentimes feels like work.

Writing requires time, energy, thought, discipline, motivation and desire. Writing isn’t always easy even for a writer, while being on vacation or holiday is easy. Just relax, have fun, and go places. One of my friends kindly reminded me that the other place you visit becomes mundane once it is your every day. I’d put some magic around Florida, thinking I’d been in heaven with all the fun. Writing seemed not so heaven-like, requiring sitting in a chair and not running about. But from my vacation, I collected new images and new ways of seeing, and thus, describing things. I had something to compare the old with the new.

Writing Return

I figured if I want to write, I have to sit in a chair and treat it seriously. Here’s a few ways to get back to writing (without it being too much like work):

  • Identify your goal or what you want to accomplish.
  • Develop a writing routine, setting aside time each day or week to help you reach the goal.
  • Find a special place to do your writing, so that it gives you inspiration and comfort.
  • Keep track of the time you dedicate to writing, demonstrating your work toward your goal.
  • Take credit for each accomplishment toward the goal.
  • Don’t allow for excuses, at least most of the time, while also realizing that setbacks will happen.
  • Forgive yourself if you get sidetracked or frustrated.

And as you engage in writing, remember to keep the commitment and to keep going, no matter what. For those who like writing, writing is fun (and, if treated right, it can feel like vacation!).

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Shelley Widhalm poses by the Manta ride at SeaWorld, which feels like flying.

How to Write during Vacation (and still make it fun)

In Staying Motivated, Vacations, Writing, Writing Advice on June 3, 2018 at 5:00 pm

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Ducklings swim at a Northern Colorado lagoon, which is a drop in size compared with the ocean. The ocean makes a great travel spot and a place to fit in some writing, while keeping vacation fun.

Going on a summer vacation is all about fun and taking a timeout from routine.

But for writers, bloggers and those who need to post a weekly or monthly blog or article, can the serious work of writing be included in a travel itinerary to make the break still exciting?

Yes, in small chunks so that it doesn’t feel like work.

To accomplish this, plan a time for writing, but do just a little bit at each sitting, and then congratulate yourself for accomplishing something practical without it being too painful.

If travel plans are overbooked, write ahead and schedule the blog online, or turn in the article early before deadline. And then don’t open the laptop or notebook unless there is free time, or inspiration or motivation gives a reason to write—and let it become all about the moment and not an obligation.

Writing Opportunities

For those who like creative writing, think of your vacation as an opportunity to delve into travel writing. Collect notes and quick descriptions of the places you’re visiting to use for future projects—the details can serve as a referral source for settings, plot details and character profiles. Or try writing a poem in free verse without counting syllables or lines. Write a few sense impressions and cut out filler words, like “a,” “an” and “the,” to create the shape and feel of a poem.

Make the work, whether notes, a poem or a full story, a small endeavor to still allow for downtime, created in snippets between the fun moments. Vacations are about relaxing and not working, as my mother told me. She said I always have some personal project, or work—and back in college, schoolwork—that I have to do. She reminded me to have fun during my weeklong trip to Florida with my brother and his wife—we’re heading to SeaWorld Orlando, Busch Gardens and some other amusement parks (but not the big one), plus the Tarpon Springs Sponge Docks and, of course, the ocean.

I told my mother I wanted to do some writing—I plan to write a couple of short stories, keep up my daily poem challenge and edit my novel (just a tiny bit). She said to not work too hard, and I promised to not spend more than one to two hours every other day on writing.

I figured I can do both—achieve concentrated and quick writing, like flash mobs that appear suddenly and are gone, and still enjoy the vacation cheer. I’ll think of it as mini moments of work with a reward.

Ways to Write Effectively

Here are a few tips for quick, but effective writing.

First off, commit to writing while waiting at the airport or for transit to get into the mindset that you will do some writing over the next few days.

And then:

  • Schedule an hour or two for writing every other day or every three days.
  • Do the writing in the morning by getting up extra early (or just before going to bed) and treat yourself to the rest of the fun vacation schedule.
  • Acknowledge the accomplishment, such as by tracking it on a spreadsheet or a check-off list. (I’ll put it in the timesheet that I keep for work.)
  • Break it up into smaller tasks. Write for a few minutes and then set it aside to make it feel like less work.

On a Personal Note

I plan to write about the ocean and the different animals and sea creatures I don’t encounter in Colorado. I love watching the ducks and geese at the lagoon a half-mile from my house, especially the ducklings, but the venue is quite a bit smaller—I run around it four times for a mile, and, of course, I can see the other side.

Basically, I plan to write as if it’s a hobby and also a tiny part-time (and fun) assignment, while sitting on a beach blanket, exploring new things to put in my notebook.

The Long Climb (to Publishing Success)

In NCW Writers Conference, Northern Colorado Writers, Writing, Writing Advice on May 27, 2018 at 5:00 pm

Writing and trying to get published can be like climbing a sheer ice cliff.

That’s the takeaway I got from Fort Collins, Colo., author Jim Davidson’s closing speech May 5 during the 13th annual Northern Colorado Writers Conference “Much Ado About Writing” at the Fort Collins Marriott.

Davidson told the back story of his memoir, “The Ledge: An Inspirational Story of Friendship and Survival,” published in 2011, which he co-authored with investigative journalist Kevin Vaughan. He wanted to encourage the more than 100 writers who attended the two-day conference to persevere in order to reach their goals of writing and publication.

“By challenging yourself, you’ll find a better version of you,” Davidson said.

At the Ledge

“The Ledge” tells Davidson’s story of surviving being trapped 80 feet inside a glacial crevasse. In 1992, Davidson and his best friend, Mike Price, stood atop Washington’s Mount Rainier at the end of their climb when a cave-in dropped them onto a narrow frozen shelf of crumbling ice and snow in a pitch-black ice wall.

Price died in the tragedy, and Davidson had to fight to escape, coming up with an immediate tactical plan and using his few tools to slowly climb out to sunlight.

Davidson didn’t give up climbing despite the setback. He is a high-altitude climber and expedition leader for more than 35 years who scaled mountains worldwide, including Mount Everest and peaks on five continents. He survived earthquakes and avalanches on Mount Everest in 2015 and helped conduct multiple rescues of climbers. Previously, he worked as an environmental geologist and science writer with 40 publication credits.

“When things go wrong, how will you respond?” Davidson asked the other writers at the conference.

Finding Resilience

Davidson defined resilience as bouncing back from challenges and learning from mishaps. Normal reactions can include fear, doubt, dread, inaction, insecurity, anxiety and exhaustion when change occurs but may not be what is wanted or desired, he said.

“Plain old-fashioned perseverance … is a slow grinding process,” Davidson said. “It’s tiring, and you may have doubts.”

Davidson said personal resilience occurs through accepting that change occurs and doing something about it. It’s embracing the challenges, persevering through uncertainties, redefining the self and coming up with new techniques.

Davidson’s book from the accident in 1992 to publication took 19 years. He met Vaughn, a writer for the former “Rocky Mountain News,” at the Northern Colorado Writers Conference in 2007, and Vaughn wanted to do a news series about him, which later became a book project.

Davidson provided an outline of his writing experiences: from 1992 to 1995, he’d journaled and did some early writing. From 1996 to 2002, he made no progress. From 2003 to 2007, he spoke about his experiences. And from 2008 to 2011, he worked with Vaughan on the book.

Becoming Stronger

Davidson learned how to take a horrible life event and turn it around. He became stronger and instead of PTSD, he experience PTG, or post-traumatic growth.

“It doesn’t make the trauma go away,” Davidson said, adding that he still struggles with the “mess and the meaning.”

Davidson forged a new reality out of what had happened to him and distilled it down into a few lessons.

“Try to help somebody else learn from your experience,” Davidson said.

I definitely did learn from Davidson’s experience, walking away from his speech motivated to climb to my publication goal, no matter what it takes. I’d hate to give up now. I, too, have had my almost 19 years.

I wrote my first novel in 2000 and have since written a few. I’ve written a hundred short stories. I’ve had a few publications but not the big climb of traditional publishing. I’m still working on that goal keeping resilience and perseverance in mind.

 

Conferences Offer Writing Crash Course

In NCW Writers Conference, Writing Advice, Writing Conferences on May 20, 2018 at 5:00 pm

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Kerrie Flanagan, a member of the Northern Colorado Writers Creative Conference Team for the 2018 conference, left, gives writing advice May 4 during the two-day event.

Going to a writing conference is like taking a semester class in college, but cheaper and faster.

I attended the 13th annual Northern Colorado Writers Conference “Much Ado About Writing” May 4-5 to pitch my young adult novel and to get quick writing tips. The conference was set up classroom style at the Fort Collins Marriott with one-hour workshops taught by agents, editors and industry professionals on various aspects of writing. The topics included the elements of writing, different genres from young adult to memoir, self-editing, traditional and self-publishing, and platform-building and social media.

“Number one, write,” said Kerrie Flanagan, a member of the NCW Creative Conference Team. “Just Write. To be a writer, you must write.”

Top 10 Writing Tips

Flanagan and the team talked about the top 10 writing tips during the banquet dinner May 4 that included studying the craft, honoring the writing and killing the darlings, those bits of writing that might be pretty or interesting but do not move the plot along. The team dressed in high collars and used “thy” and “though” to add a Shakespearean flair to their tips in line with the conference theme.

I collected hundreds of writing tips from the workshops I attended on writing a memoir, writing a book proposal, worldbuilding, and writing and selling short stories and personal essays. This time, I chose topics for my future projects of writing a memoir and some personal essays; plus, I want to sell some of my short stories.

The First Day: To Pitch and Tell the Story

After pitching my novel, the first session I attended focused on “How to Write a Captivating Memoir,” presented by Kristen Moeller, a literary agent at Waterside Productions and author of three books. Moeller explained how to structure a nonfiction story and decide what to include and let go.

“Everyone has a meaningful story to tell. Not everyone has a story or voice that sells,” Moeller said.

Moeller advised:

  • Writing it all out, but don’t include every single detail beginning to end in the final draft.
  • Identifying the narrative arc with a beginning, middle and end with something at stake for the narrator that opens up the question of what’s next? The reader has to wonder if the narrator will be OK.
  • Including fiction elements, such as scene and dialog, while also showing not telling.
  • Creating a character for the self with a distinct narrative voice.

The Second Day: Prepping and Publishing

The next day of the conference, I attended four sessions, the first on “Five Steps to Publishing Success: Get Your Short Stories and Essays Published in Magazines,” presented by Windy Lynn Harris, author of “Writing & Selling Short Stories & Personal Essays.” She gave tips on strategizing publishing in magazines and sending work to the right editors in the right way.

Personal essays are the most saleable thing writers can write because of the large market, Harris said. Essays typically are something reported or a first-person account of a life event with a narrative arc and a takeaway for the reader, she said.

“If it’s well-written, you can find the right place for it,” Harris said.

Harris advised:

  • Submitting to at least five publications, starting with the largest, most desired markets.
  • Realizing that getting several rejections is to be expected, but after 30 or so, go back to the piece to identify the issues.
  • Making a spreadsheet of submissions that lists publication details and dates and the acceptances and rejections.

More Sessions

My next session was on “Writing the Nonfiction Book Proposal,” presented by Stacy Testa, a literary agent with Writers House, on the basic components of a book proposal. The proposal gives an overview of the project showing there is demand for it and a fresh idea.

“Keep it simple to the point,” Testa said. “Who will read your book? Be specific. The more potential readers, the better.”

Testa pointed to a few issues with proposals, including:

  • The-need-to-see-more problem, where there is not enough material for a full book with depth and breadth of topic.
  • The platform problem with too small of a following.
  • The niche problem with too small of an audience.

The other sessions I attended were on “Two Kinds of Worldbuilding and Why You Need Both,” presented by literary agent Angie Hodapp with the Nelson Literary Agency, and “How Editors Decide What (and Whom) to Publish,” presented by editor Bruce Bortz, founder of Bancroft Press.

“It’s hard to sell your own product, but figure out what makes it special,” Bortz said.

I walked away from the conference motivated to return to my projects with a clearer sense of direction and an excitement for what’s next.

Comparing Coffee and Writing

In Description, Writing, Writing Advice, Writing Discipline on February 18, 2018 at 8:00 am

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Coffee and writing are two loves that go well together.

I hate when I order a fancy coffee drink and the cup gets bathed in the overflow.

But I love that my drink has a flavor, an appearance and a texture inside the cup and that observing those details gets rid of the annoyance.

Observing, absorbing and noticing details are essential to writing, giving a caffeinated thrill to the development of plot, character and dialog. Describing the details is essential to storytelling instead of hurrying the story along through the action of the plot.

Why Description is Important

Description brings to life what happens along the storyline.

To provide that description, use the senses and choose words carefully, making sure every word has a purpose. That purpose can be establishing setting, developing character or moving the plot forward.

Verbs are a key component of description, much less so than adjectives, which qualify a noun or noun phrase to provide more information about the object being described. The river spit onto the rocks is more descriptive than the bubbling river.

Adjectives, when used, should be kept simple and not layered, such as the “blue-eyed, blonde-haired, tongue-tied girl.”

What to Avoid in Description

There are a few other things to avoid in descriptions, such as:

  • Using adverbs, which weaken writing when they are not specific. Adverbs modify verbs, adjectives or other adverbs. For example, saying that your character slowly walked across the room (here “slowly” modifies walked) does not give the reader as good of a mental picture as: “She shuffled to her bed, falling into it after working 12 hours.”
  • Writing in the passive voice, using “he was,” “they were” and the like. The passive voice slows down the action, while distancing the reader from what’s being said.
  • Using general words, instead of concrete details and specific nouns and verbs. Tree and bird are general nouns, as opposed to a birch oak or maple and a cardinal or robin.

A Final Thought on Description

Description is what fills the pages of a story. Without it, action would fall flat, simplified into an outline of this happened, and then this and this.

That’s why I like my coffee fancy.

Top 10 Tips for Writing

In Writing Advice, Writing Discipline, Writing Goals, Writing Motivation on January 14, 2018 at 6:00 pm

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A new year is a great time to think about your writing plans and goals.

Lists are a great way to get motivated and to turn desires into habits—and to get motivated to write, I resort to my top 10.

Over the years, I’ve collected notes about writing processes and habits from magazine articles and books on writing, writing conferences and workshops, and my own personal experiences. I find these notes to be helpful, especially at those times when I feel discouraged, unwilling or stuck.

From these notes, I’ve generated my top 10 tips for writing and rules to live by to make writing a routine and, over time, a habit that I do without thinking or agonizing about it. I don’t want to have ideas and put them on hold because I’m busy, tired or overwhelmed. Instead, I want to show up for writing, finding that once I got started, I have something to say, a poem to write, or descriptions and storylines to add to a work in progress. It can be sticky or rough at first, but once I write, it seems easier to continue and I’m glad I put in the effort.

Top 10 Writing Tips

  • Write as much as you can, setting a writing quota with daily, weekly or monthly goals, such as writing three to four times a week. For example, make it a goal to write for two hours or 1,000 words in a session.
  • Get rid of distractions and the inner critic, which can keep you from writing by serving as excuses to not write or to invite in writer’s block.
  • Don’t wait for inspiration, because the more you practice writing, the easier it is for words and ideas to come to you.
  • Figure out what is most essential for you to write about. Write about what interests you, what you want to learn about and, of course, what you already know.
  • Have more awareness, using all of the senses when making observations to add details to your descriptions. Take notes for later use.
  • Think about where your writing wants to go, realizing that you’re not in total control of it. Trust your subconscious to make connections your conscious mind isn’t ready to or won’t necessarily be able to make.
  • Realize that rough or first drafts aren’t perfection on the first try. As you write, the story or message unfolds and isn’t readily formed until it’s written. Get the sentences down, then revise and revise again.
  • Accept that writing is supposed to be hard.
  • Focus on the process instead of the results. Enjoy that process.
  • And, last but not least, read. Reading makes you a better writer.

Writing in the New Year!

The start of a new year is a great time to reflect on the best writing advice to find the time, discipline and inspiration to do the hard work of sitting down to write. It’s a great time to make writing a habit through the year of 2018!

Finding Work-Life Balance with Writing

In Writing, Writing Advice, Writing Inspiration, Writing Motivation on November 5, 2017 at 6:00 pm

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Balancing writing with the rest of life is important to avoid too much time in front of the computer and to gather experiences for even more writing.

I don’t like sitting, and I don’t like being in front of a computer—at least for long periods of time.

But I used to not even think about my tools of writing. They were just there for me to use—and replace every so often when they got old and nonfunctional.

I write for a living, and I write for fun with the goal to make the writing I want to do—writing novels—full time. It’s a lot of writing, as a result, but I try to balance it with daily exercise—running and lifting weights—and doing social things.

Balance, how do you achieve it when you work life and dream life both involve computers?

Finding the Work-Life Balance:

  • First of all, make sure you read.
  • Set aside certain times for writing, but don’t guilt yourself if you don’t write.
  • Vary where you write, such as at home, a park, a restaurant or a coffee shop and find something stimulating in that environment to think about or absorb—such as the grinding of the coffee beans or the way the air feels as time shifts from high noon into the afternoon.
  • Take breaks every few minutes to stretch, or take a mini-walk for a mind refresher.
  • Make sure you have free time to do whatever you want that gives you a break from the routine, particularly if it doesn’t involve writing.
  • Try writing in a notebook if computers are your normal tool, or vice versa. The switch may cause you to see and write differently—handwriting slows you down, while typing causes you to lose the pen-hand connection and get lost in the writer’s world.
  • Find a new interest or hobby, or even forge a new friendship, to learn something new or see things from a new perspective.
  • Congratulate yourself when you write when you don’t feel like it.

One Final Note:

Lastly, realize it’s the writer’s life, that constant need for discipline, motivation and encouragement. Make sure to get out to the 3D, real world to gather those experiences that are much needed for the writing life.