Shelley Widhalm

Posts Tagged ‘Poetry Slams’

Daring to expose myself (in words)

In Poetry Readings, Reading Poetry, Writing Poetry on July 26, 2015 at 11:00 am

When I write, I take my clothes off.

Not literally, but I get rid of the embarrassment I might be saying something that exposes how I deal with life and perceive the world.

The easy part of writing that way is I sit alone in front of the computer and do the digging, letting the words rip. I don’t plan, as I write, to read the words in front of other people.

But, duh, that’s why we write, to give audience to our way of telling a story, reflecting on a moment or expressing an emotion.

Though I knew I’d be stripping down to my shame and guilt over a bad life experience, I read a poem at the LoCo Poetry Slam Saturday, July 19, in a coffee shop in downtown Loveland (one of four poems I read).

The poem is called “Ball-Wrecking” and is about dating a very awful man, and I felt like I was saying, hey, I let someone do bad things and I hung around—well, until I woke up, acknowledged the untruths I told myself and left. I was afraid to expose what I’d let happen, but it was a poetry reading, and poetry can be personal.

One of the other poets—four read their poetry that evening—said the more you read a poem about an awful experience or emotion, the less power what you wrote about has over you. It becomes more art and less about what had happened and your emotional and physical responses to it and, in some cases, the recovery process you had to take on to move on … and return to a sense of having a solid self.

All of the poets that night read poems about how they emotionally handle life and its experiences, many of the words going inward. It was obvious we all are dealing with pain and aloneness, doubts and fears, and a multitude of other emotions. We are not isolated in having to confront all the stuff going on in our heads.

Our styles are vastly different, from more slam- and rap-like with great word play to comparing our inner world to a crack in the windshield to evaluating why we have to move to another city.

The poetry slam, which is more of a poetry reading, is supposed to be laid-back, said Ben Means, who organized it in fall 2014. He said poetry can serve as therapy for the poet and the listener, and I found that to be true, realizing I wasn’t the only one exposing my internal life and what’s happened to me. I realized my emotional responses to life, love and feeling out of sorts are things other writers experience.

Poetry Slams vs. Reading Poetry

In Poetry, Reading Poems, Writing Poetry on May 31, 2015 at 11:00 am

I’ve been to both poetry slams and poetry readings, and I haven’t quite figured out slam poetry: what it is and even how to write it.

To figure it out, I researched slams by starting with the Meetup page for the LoCo Poetry Slam that meets the third Saturday of the month at the LoCo Artisan Coffee House in downtown Loveland. The slam isn’t a pure slam but is an open mic where poets can slam memorized poems or read their work.

“If you use poetry as an escape, as an idea-bouncer, as a coping mechanism, whatever, please come out and join us sometime,” the writeup states.

Slams, a poetry movement that began in the 1990s, revitalized an interest in poetry as performance through spoken word poems. They are a way to bounce around ideas, start conversations and reflect on personal lives, the poet’s soul and social injustices.

Slam poems can express raw emotion and large ideas and often are presented rapid-fire in a vocal delivery style comparable to rap music.

The performances are done in a competition format, judged on a numeric scale by the audience or a selection of audience members chosen by the MC or host. The poems are scored to determine a winner, usually through multiple elimination rounds. The performances typically are limited to three minutes—the LoCo Poetry Slam limits poets to three poems of any length.

Slam poets are judged on how they perform and the content, voice and style of their poetry. Their delivery can use theatric devices, dance and movement as they recite, or they can rely solely on the words.

The audience chooses who advances to the next level and to the final round.

I participated in an official slam a few months ago and didn’t make it out of the first round. I read my poem, trying to act it out, but I didn’t know what I was doing. I’m more familiar with reading my poetry, letting the words and the emotion I put into them tell story through the rhythms I evoke in my way of using language. Slam will be a way to learn how to perform those words.