Shelley Widhalm

Posts Tagged ‘Critique Partners’

Why Work with Other Readers, Writers First

In Editing, Editing Advice, Editing as Part of Writing, Editing Tips, Writing, Writing Advice, Writing Tips on August 1, 2021 at 7:00 am

Don’t spin in circles with your writing, but try to find other writers and readers to give your work an evaluation before hiring an editor.

By SHELLEY WIDHALM

For writers wanting to self-publish, hiring an editor is an investment, as is getting a great cover design and the correct formatting for an upload.

But writers can do some of the editing work themselves—they can self-edit, work with a critique group or partner, and send off their work to beta readers.

Start with Self-Editing

To do their own self-editing, writers can use a checklist to evaluate the issues of their work (novel, novella or short story collection). Often in question format, checklists go over each element of writing, including plot, character, dialog, setting, tension, conflict, pacing and themes. They can help with things like gaps in plot, inaccurate calendars if it’s June but winter, and blurred secondary characters that sound the same or serve roles that could be combined.

Writers also can revise the book as a first “reader,” looking for skipping of plot points, logistical misalignments and description inconsistencies, as well as areas where the book is boring or moves too quickly, glossing over essential story points.

I like to do this and then do a couple more rounds while still looking at pacing, identifying what doesn’t make sense and where there are gloss-overs in descriptions or dialog. Could things that are summarized be set into scene for instance?

Work with Others

Once the book has gone through at least two rounds of editing, ask for feedback—more than one evaluation is ideal for varied and more comprehensive comments. Evaluations are essential since writers miss things from being too close to their work and not having the ability to encounter it for the first time as new readers.

Feedback can come from beta readers or a critique partner or critique group. Beta readers are readers first, while critique or writing partners are readers who also are writers.

Find a Critique Partner

Critique partners (and groups) generally do an exchange of work to provide feedback, typically more general in nature as opposed to looking for grammar, spelling and punctuation issues.

They can point out where the writing gets muddy—descriptions might be unclear or assume reader knowledge about a specialized topic. They can check character identities to see if details of appearance are consistent throughout (brown eyes stay brown) and that characters are differentiated by their mannerisms, speaking styles and ways of approaching life.

Working with partners is way to figure out what’s not working in the story and to get suggestions for making improvements.

Add Beta Readers

Beta readers may not enjoy writing but do love reading. They should have a basic knowledge of what makes for good writing, as well as an understanding of the elements of the craft. They also should read in the book’s genre.

Beta readers provide feedback based on their skills, knowledge and experience of writing. Like with writing partners, they point out what they think isn’t working in the manuscript and offer ideas for improvement without changing the writer’s voice. They point out areas that don’t make sense and ask questions, providing clarity on how the reader experiences the work.

Make the Hire

Once the book has had a critical audience, then it’s time to hire an editor, either at the developmental or copy editing level.

An editor will give that professional overall or line-by-line view of the work, not skipping over things because personal life gets in the way or they’re learning about the craft or the genre. They are paid to pay attention to every aspect of the work, identifying areas to fix and asking targeted questions for a rewrite, or simply polishing it up to make it ready to publish.

Note: I provide editing, writing and ghostwriting services and can help you perfect your project from an article or blog series to a short story or novel. I also offer consultations on writing and editing through #ShellsInk at shellsinkservices.com.

What are the Top 3 Lessons You Can Learn from Other Authors?

In Critique Groups, Critique Partners, Writing Advice, Writing Groups, Writing Motivation, Writing Tips on May 31, 2021 at 11:00 am

Writers often work in solitude, but there are those times when community is great, just like for duckling families. Critique partners and group offer invaluable benefits for the mostly lone writer.

Writers work in solitude even if they do write-ins, because once they enter the story, the world falls away.

But they also likely need community—that can come from those write-ins where you meet for coffee or the like, chat a bit and start writing, as well as writing groups to critique each other’s work and writing conferences to learn about the craft.

I’ve been involved in all three and learned three important lessons from being around other writers.

First is Vision

I cannot work in a bubble.

I need others to point out where my writing gets muddy, my characters fall flat, my plot goes sideways or my pacing is s-l-o-w. I can revise and revise again, but there are things I miss because I’m too close to my work.

For that reason, I like working with a critique partner, where we trade work, or a writing group to get feedback on what’s not working in my manuscript. A partner or group can offer suggestions on how to fix the issues and ideas for making the story or characters even better—things I didn’t consider as I drafted my story.

I then like hiring an editor, either at the developmental or copy editing level, to get that professional line-by-line view of my work—editors are paid to pay attention to every nuance of a manuscript to help get it polished and ready for publication.

Second is Mission

I cannot work without motivation.

Writing is hard work, and it takes discipline. If I didn’t have a writing community to encourage me to keep going, I may take longer timeouts from disappointments. If I have to self-talk to pick myself back up, my thoughts might go circular, whereas a friend will tell me, “Don’t give up. I know you don’t want to. You’re a writer.”

For instance, wanting to be traditionally published means I face rejections from literary agents who immediately say no, or they ask for a partial or the full manuscript, then say no.

Being able to share that rejection conundrum and find that I’m not alone helps me keep going.

Third is Story

I cannot work without inspiration.

I find the successes of other writers who self-publish or get traditionally published a push for me to keep working toward my own successes: if they can do it, so can I.

With time, persistence and patience, writers can achieve their goals. If they don’t right away, they keep trying—failing is giving up, but stopping something and moving to something else is not failing.

Many times I’ve wanted to give up, but then, as a friend asked, how would you feel without writing? I can’t answer that question, because I’d feel empty.

Writing is what inspires me. It’s my mission statement. It’s my vision for being CEO of Writing, while Zoey, my miniature dachshund, is the CEO of Cuteness.