Shelley Widhalm

Archive for the ‘Short Fiction’ Category

Short story ‘Quiet Refusal’ publishes in ‘RISE’

In Northern Colorado Writers, Quiet Refusal, RISE, RISE An Anthology of Change, Short Fiction, Short Stories, Writing, Writing Short Stories on November 3, 2019 at 11:00 am

1104 Blog-Rise

Shelley Widhalm’s short story “Quiet Refusal” is one of the featured creative works in Northern Colorado Writers’ new anthology, “RISE.”

Northern Colorado Writers will celebrate Nov. 8 the launch of its new anthology “RISE, An Anthology of Change” at the local Gilded Goat Brewing Co.

My short story, “Quiet Refusal,” was among the short fiction, narrative nonfiction/ memoir, and poetry selected via juried entries for the anthology—more than 35 writers have their work featured.

My work is a 2,500-word story about a 93-year-old woman named Christina Walker who believes her children refuse to listen to her need not to be sent to an assisted living facility.

It starts with these words: “I absolutely refuse to move into that assisted living place. I’ve been around too long to have people tell me what to do with my life, especially my own children. I raised them to have manners, and here I am lying in this nursing home with my muscles not obeying my mind, my mouth swallowing my words, and my brain not letting them come together into sentences. I keep telling the nurses where I want to go—just the one word I can get out—pronouncing the “h” with a long, stuttering sound, so my house becomes h-ho-ome.”

Short Story Inspiration

I wrote the story because my mother lives in an assisted living facility, so I have familiarity with the setting, but also because the character came to me full of a big personality but without much of a voice, as she struggles to get out her words.

I visit my mom every other week and feel my heart break a little as I watch seniors with dementia struggle to find their rooms and those with health conditions shuffle as they walk. I usually bring along my dog, Zoey, a 12-pound, long-haired miniature dachshund, and I get stopped for requests to pet her. It’s almost like she’s a therapy dog as the residents smile and tell stories about their own pets.

I’m rambling, yes, but the main point is, please join me and the other writers as we celebrate this new publication. The book is up for the 2020 Colorado Book Awards, and royalties from its sale will help support a new RISE scholarship for aspiring writers to be able to attend the annual NCW conference for free.

“I’m so excited to share this book with, well, everyone in the wide world,” said Amy Rivers, director of NCW, in a letter to the authors about the publication. “It’s full of really inspiring and entertaining pieces.”

Launch Party Details

The 2019 RISE! Anthology Launch Party/ Holiday Celebration will be 6-9 p.m. at the Gilded Goat, 3500 S. College Ave., No. 194, in Fort Collins, Colo. There will be food, drinks and merriment, along with books for sale at a special event rate and authors available to sign their works. The event is free.

Flash fiction vs. short stories

In Flash Fiction, Short Fiction, Short Stories on May 8, 2016 at 11:00 am

I love the term flash fiction, because it makes me think of storytelling that is quick and flashy.

It’s writing that is short, descriptive and to the point but deceptively complex in its tightness.

Flash fiction is a micro or mini version of a short story, though the length varies depending on the publication. It can be anywhere from 100 to 1,000 words or even 1,500 words, while short stories are defined as 1,000 to 10,000 words.

An ultra short story, flash fiction is a style of fiction of extreme brevity with a definable plot pared down to the core of the story. It’s called micro-fiction, micro-story, skinny fiction, fast fiction, furious fiction, postcard fiction, short short, short short story and sudden fiction. It’s part poetry and part narrative.

To successfully write flash fiction, avoid fragmented storytelling. Tell a complete story with the traditional format of beginning, middle and end, making every word essential, without the extras. Retain the elements of storytelling, because otherwise it will become a snippet of a moment of a larger story or an episode without a theme or story.

I find that it’s best to write flash fiction in one sitting with one idea for a character or plot and work from there. Ask if there’s a point to the story, but don’t get too focused on theme. And write when you are in your own emotional moment, getting words out without worrying about word count.

Begin at the moment of conflict when most of the action is nearly complete, avoiding any kind of introduction or back story. Make sure every conversation, action and gesture is important to the telling of the story. Focus on powerful images. And end with an emotional impact.

Once the piece is finished, here are some tricks to tighten and polish the work:

  • Get rid of adjectives and adverbs.
  • Get rid of unnecessary sentences and descriptions.
  • Make sure every conversation, action and gesture is important to the story.

And remember, what’s left out is just as important. Be concise. Keep the essential details. Cut the rest.

(Note: I recycled this blog from a year ago, because I am so behind with my personal writing and editing projects that I didn’t have time to blog this week. I have a deadline for one of my projects at the end of May.)

Writing Flash Fiction

In Flash Fiction, Short Fiction, Short Stories on January 25, 2015 at 4:00 am

I love the term flash fiction, because it makes me think of storytelling that is quick and flashy.

It’s writing that is short, descriptive and to the point but deceptively complex in its tightness.

Flash fiction is a micro or mini version of a short story, though the length varies depending on the publication. It can be anywhere from 100 to 1,000 words or even 1,500 words, while short stories are defined as 1,000 to 10,000 words.

An ultra short story, flash fiction is a style of fiction of extreme brevity with a definable plot pared down to the core of the story. It’s called micro-fiction, micro-story, skinny fiction, fast fiction, furious fiction, postcard fiction, short short, short short story and sudden fiction. It’s part poetry and part narrative.

To successfully write flash fiction, avoid fragmented storytelling. Tell a complete story with the traditional format of beginning, middle and end, making every word essential, without the extras. Retain the elements of storytelling, because otherwise it will become a snippet of a moment of a larger story or an episode without a theme or story.

I find that it’s best to write flash fiction in one sitting with one idea for a character or plot and work from there. Ask if there’s a point to the story, but don’t get too focused on theme. And write when you are in your own emotional moment, getting words out without worrying about word count.

Begin at the moment of conflict when most of the action is nearly complete, avoiding any kind of introduction or back story. Make sure every conversation, action and gesture is important to the telling of the story. Focus on powerful images. And end with an emotional impact.

Once the piece is finished, here are some tricks to tighten and polish the work:

  • Get rid of adjectives and adverbs.
  • Get rid of unnecessary sentences and descriptions.
  • Make sure every conversation, action and gesture is important to the story.

And remember, what’s left out is just as important. Be concise. Keep the essential details. Cut the rest.

(Note: My flash fiction piece, “A Wanted Man,” has been accepted for publication in the forthcoming “Baby Shoes Flash Fiction Anthology,” a Kickstarter project. Check out the Facebook page at http://www.facebook.com/pages/Baby-Shoes-Flash-Fiction-Anthology/914714125235669).

See Zoey the Cute Dachshund’s blog, Zoey’s Paw, at http://zoeyspaw.wordpress.com/