Writing poetry is like getting a little gift in the mail, a sending of words from something felt, seen, observed or known.
At least that’s what it seems like—the raw version of a poem that comes from fast writing. And then it’s time to revise, look for word echoes and get rid of the clichés and the simple descriptions.
That’s where the crafting comes in, or the hard work of writing.
April is National Poetry Month, an annual celebration of poetry started by the Academy of American Poets in 1996 as a literary celebration of poetry and its place in society.
To wait for a poem can be unreliable, as if expecting inspiration or the right feeling or right circumstances in order to start writing. To make a poem happen, here are a few tricks to turn discipline into that inspiration, such as:
- Using the senses—seeing, hearing, smelling, touching and tasting—to capture thoughts, ideas, feelings and observations.
- Playing around with words and descriptions, or simply putting words on the page and rearranging them.
- Avoiding using clichés, generalities and vague concepts, like love, hope and war.
- Avoiding overusing trite words, such as tears and hearts, opting for comparisons and concrete language instead.
- To get to the concrete, describing the specifics, such as how the colors of a particular flower look in the changing light of day or how love is like the foam on a latte, light on top but deeper underneath in the cup.
Once the poem is written, read it several times to cut excess words to get to its core. Think about what the poem is really saying and look for ideas that can be further explored. Think of the intent of the poem and what it is you want to express. This may expand the poem out after the former cutting.
And then give the poem a title, or maybe make the first line the launch into your words.