I actually hadn’t planned to do NaNoWriMo in 2015, but enough friends asked me if I was doing it I felt like I should at least try.
In 2013, I attempted NaNoWriMo for the first time, writing 51,004 words during the month of November, but in 2014, I didn’t have an idea for a project, so I decided to skip—plus achieving the writing of 50,000 words during National Novel Writing Month is a big commitment, requiring lots of time and energy.
This time around, on Nov. 1 during the first day of the month-long endeavor, I had other plans that didn’t involve writing—excuses, excuses—but on Nov. 2, I procrastinated but by 5:30 p.m., I was ready to go and wrote 2,182 words in one-and-a-half hours, making up for a few words from the day before (the idea is to write 1,667 words a day). It felt good to write, especially since I hadn’t touched my novel since mid-October while working on editing another novel.
On Nov. 3, I planned to put in another day of writing, but I worked nine hours and got off at 6 p.m. when it was dark. I was so tired all I could think about was going to the gym and to bed. Then on Nov. 4, I returned to writing, feeling way behind. By that day, I should have been at 5,001 words and by the end of the day at 6,668 words.
Instead, I was at 2,043 words by the time I finished my one-hour, 15-minute writing session, bringing my total to 4,225 words, short by 2,443 words. But I knew I’d catch up soon.
By day 5, the on-track count would have been 8,335 words. I wrote 1,904 words in one-and-a-half hours, bringing my total to 6,129 words. On day 6, I wrote 1,058 words, and on day 7, 1,053 words, almost the same as the day before.
My writing for the first week totaled 8,240 words. To be on track at the same daily word rate, the number of words would be 11,669 words, so I’m short 3,429 words (though it’s the work and sense of accomplishment that really counts).
With each day, I found the writing becoming easier and easier. Maybe because I allow myself to make up whatever comes along, not worried about the outcome.
Writing daily and fast turns off the editor, causing me to get lost in the story, almost as if my fingers aren’t typing. By writing daily, I become immersed in the story, not having to go back and review what I wrote the day before or in earlier chapters.
The flow becomes more immediate by taking on consistency from the continual input, instead of from a scattered, occasional approach. I’m more cognizant of my story and the story details, so I don’t mix up names and places, even though I do write them in a separate notebook. And I take on a more consistent tone, pace and voice.
Though it’s a lot of work, NaNoWriMo helps the writer get into the story quickly from the focus on word count, instead of thinking of excuses or getting that separation of time and space from a work drawn out over months or years.