As a self-proclaimed word junkie, I get frustrated when I face the blank page.
When I told my friend about my challenge for the year – 52: A Year of Writing Basics, Beliefs and Beauty – he asked, “How do you write a great opening scene?”
Understanding plot is an essential start, just as having a blueprint is necessary to build a house or an outline to write a college essay.
Without plot, there is no story, but unconnected moments of time like a broken string of pearls scattered on the ground. Stories follow a structure or framework called the narrative arc, which, simply put, is the story’s beginning, middle and end.
The opening scene needs a hook, or the inciting incident that gets the story moving. There should be some action, a character or two and a setting, which is the time and place where the action is occurring.
Readers will turn to page 2 and on to 3 and 4 if they care about the main character, whose actions drive the plot. The character has to have a goal or desire, whether it is romantic, emotional or practical.
This desire is what drives the character to act; otherwise the character would be just as happy watching TV or reading a book.
As the character goes for what she wants, she will face challenges, or obstacles, that become increasingly more difficult to overcome as the arc of the story rises upward.
The conflicts, whether internal or external, represent what the character is trying to resolve and are what creates these obstacles. The climax offers up the largest obstacle and determines whether the character actually gets what she wants.
The structure or framework, once in place, requires that everything in the story work together to tell the tale.
The other side of the arc, or the falling action to the story’s end, is where the character experiences some kind of revelation. Does she meet her goal? Or does her goal even matter anymore? Did she get something better (or worse) in her search to obtain her desires?
The resolution is where these revelations occur and where any loose ends are tied up, so that the strand of pearls becomes a full circle.
Now that the framework is in place, next week, I will talk about how to approach the opening scene with inspiration, creativity and originality.